crg007 bring back cleric for his 3rd solo release on the label.
manchester-based producer cleric continues to grow through his own clergy imprint with the label’s 7th release, “rules of reality”. the ep is an exercise in fully-focused. highly-distilled techno purity, leading first with a perpetuating drum groove offset against an icy stab on “unwritten future”. next, “unspoken rules” channels the same minimalistic aesthetic into a more hypnotic mood, driving deeper down into a land of introspection with tension-laced percussion and hovering chords, whilst “unwanted arrival” exhausts the pressure with its mind-comsuming acid pattern, followed by the more exposed, cinematic “beatless mix”.

senso sounds drop a major release from techno heavyweight dubfire and label boss oliver huntemann. reuniting the partnership that has seen a string of seminal releases over the years in the form of their ‘elements’ series, ‘humano’ is the 2nd part of a continuation of this series - more weapons of grade dance-floor material from the high profile duo. later on this year their partnership will be summarized in their ‘restrospectivo’ album. former deep dish man dubfire’s uncanny knowledge of how to create epic dance-floor moments is in full effect, combined with huntemann’s precision tool production techniques on the original version of the title track. the result is a super tough, tight and incalculably driving slice of techno goodness that will ignite floors worldwide. the rest of the ep manages to maintain the pressure - with a set of sick remixes from victor ruiz, hatzler and shaded. ruiz, the brazilian techno pioneer adds another level of fire to the original, tweaking and refining the track into a damager that pushes everything to 11 and hits home with every play. hatzler, the hamburg based german dj/producer chooses a different direction - emphasizing more of the space in the original. rinsing the tension to the next level, look out for the epic middle section break down. the whole package is primed to destroy clubs far and wide - techno at its most effective. shaded’s summer skin remix also delivers a tightly wound interpretation, with a bubbling bass line and nervous, excited groove providing the fuel for an extended dancefloor excursion.

florian meindl kick starts 2017 with a special four-track vinyl only release ‘colorful cage’. released on his own imprint flash recordings, the title track is taken from his forthcoming album ‘time illusion’. there is an exclusive vinyl edit of florian’s previously released foreboding techno track ‘nix charon’ and completing the ep are two further unique tracks ‘controlled pressure’ and ‘wild sequence 3’. as a dj, live performer, studio producer and sound designer, florian has over the years established an impressive producing base for himself in his berlin based riverside studio complex with an exciting hardware set up including modular systems, an analog mixing desk as well as classic machines like roland 909. in anticipation for the lp release in early april, florian has prepared a unique live set featuring a modular system, the korg minilogue, effect boxes and a 909 drum machine which were used in the creation of the album which he will be touring throughout 2017.

time get physical associate. werk it features three more thrilling cuts which prove that, after more than a decade in the game, thomas koch is as exciting an artist as ever.

after a career in electronic music spanning more than twenty years and so far yielding over fifty vinyls under a host of guises, alex cortex now delivers his latest treat, his own label, range. it will be home, of course, to his own music, but will also welcome guests that in some way played a role on his path. no specific rules have been set as to musical styles, very much alike the diversity alex cortex is known and respected for. the thread holding it all together is authenticity.

long-time influential techno label mosaic is back with a fine new ep from germany s andre kronert. the odd/even boss has been turning out dubby and atmospheric eps for ten years now, and here he adds three more such sumptuous tracks to his discography. a track called jinx is first and is an economical but effective roller with vast drums, subtle hi hats and a wonky lead synth line that brings a trippy feel to the groove. perfect for basements or warehouses alike, it works on both head and heel in style. bottom line is more forceful and hard hitting thanks to slamming drums and a nervous, twitching, haunted synth sound off in the distance. racing along and taking you with it, the urgency of this one really is compelling. finally, pressure dub is somewhere in the middle, with rolling kicks looping down low, scattered percussive hits up top and unsettling synth motifs all layered up into a smooth dub techno classic. spacious and spooky it is another effortlessly essential cut from kronert and mosaic. available on limited edition 180 gr yellow vinyl only.

what is this? this is a floor-friendly house record with three cuts by dj central. if you’re reading this, we feel it’s safe to assume that you buy records. so yes, you can own this and bring it home to keep if you like. all you need to do is pick it up and spend that hard-earned money of yours. why are we doing this? because running a label is about releasing music and we felt like this was worth sharing with you. no pressure though - don’t panic - take your time to decide. so whether you feel this three-tracker has found a new home or not, thanks for considering expanding your collection with a help record.

italian artist d-leria makes his first appearance on sydney techno label gynoid audio with a solid 6-track ep - swarm/pressure, along with top quality remixes by charlton and vsk.
the release has already gained early support from the likes of truncate, chris liebing, advanced human, rebekah, adriana lopez, flug, jonas kopp, marcel dettmann, scuba, joris voorn, sleeparchive, pfirter, ben sims, paula temple, cleric and many others.

ein spannender blick auf das vermächtnis der rocklegende david bowie – von seinen anfängen bis zu seinen letzten aufnahmen: hier ist »legacy (the very best of david bowie)«.
limitiertes 180 gramm doppel-vinyl im klappcover

12 inch black vinyl + insert

dj support comes from ben ufo, jon k and hodge. semtek returns with his first work since 2012, when he contributed 12inches to world unknown, awkward movements and in plain sight. in the meantime the cambridge-born, bristol-based producer and dj has been hard at work running his label don t be afraid, bringing through talent including mr beatnick and mgun. bad teeth consists of nothing more complicated than two complementary tracks for the dancefloor, inspired by bleep n bass, jungle and two-step. the title track rolls moody synths, metallic stabs and offbeat drums into a rugged uk house joint. jon of worcester twists similar elements around a broken groove, cutting between drum machine and breakbeats. both tracks feature rolling basslines tuned for maximum soundsystem pressure.

beneaths early productions first surfaced on the wifey show on deja vu fm. releases followed through his own no symbols label, dj pinch s tectonic and blackdowns keysound. he is widely acclaimed for his originality, in synthesising the dread soundscapes of 2004-2006 dubstep with the rolling tempo of uk funky and echoes of the bleep n bass subgenre of uk house and techno. this debut for niche n bump (orchestrated by a member of the wifey crew) showcases his most uncompromising work, mixing wild, off-kilter bass with mutating, otherworldly tones. swing ting are a manchester dj and production duo behind the city s energetic club nights of the same name. known for injecting up-to-the-minute uk music with bashment-inspired energy, here their remix ably advances that mission. armed with breaking glass, dub sirens and enhanced bass pressure it blasts bellz into a sleek shape for peak-time dancefloors, resembling their 2011 overhall of mosca s tilt shift for fat city.

Über den zeitraum von fünf jahren hat rob orme fünf verschiedene eps und ein album auf dem berliner project: mooncircle veröffentlicht. durch die nach wie vor hohe nachfrage und die tatsache, dass alle titel ausverkauft sind, veröffentlicht das label nun eine werkschau des künstlers mit seinen besten und beliebtesten tracks sowie vier neuen und bisher noch unveröffentlichten songs. das album erscheint als farbiges doppel-vinyl mit downloadcode.

wareika steps up for the amphias 12th vinyl chapter. the german trio walks off the beaten techno trail, applying just enough pressure on the bassline pedal to envelope your attention on the sinusoidal theme from break new sol, revealing at the end a rewarding guitar solo, hidden all this time under the crisp percussions. on a train again completes side a, with its industrial ambient modulations steadily stabbed by the derailed cadence.
sit reinterprets wareika on side b: a more dancefloor oriented take, with just a few breaks from the devilish rhythm, enough to give the crowd some time to breathe into the tracks odd atmosphere. wareika s playful harmony makes a great addition to amphias musical path.

nice price deal !!! with releases on 7th sign, persistencebit and self defence to his credit, belgian dj/producer franco cangelli returns to his own mowar label for this killer four-track ep. inspired by classic techno and contemporary machinations in equal measure, cangellis palette is varied but sophisticated. >pressure< kick starts the ep in dubby mode, but the fat beats and spooky riffs are soon joined by a warm, sublime chord sequence. >frantic<, as the title suggests, picks up the pace, with a slamming, slightly off-rhythm underpinning wired analogue bleeps. thanks to cangellis smooth production touch, it manages to sound both timeless and modern. on the other hand, >fringe< and >deviate< make no secret about their influences. the latter deploys raw, crunchy beats and a shuffling groove as the basis for a sensuous chord sequence, while >fringe< is even more reverent. gently filtered bleeps and tones cascade over tight claps and an insistent, jerky rhythm that recalls stasis and derrick may. dont miss out on this future-retro gem

dryad lands on southern lights with the 2s2w ep, the debut release from the adelaide-based producer, showcasing booming rhythms, tough drum patterns and provocative sounds with the tracks “inside now” and “pressure”.
remixes come courtesy of annulled user who thoroughly reworks “inside now” into an epic apex and michal wolski, whose rework of “pressure” is a brooding, reflective affair.

chicagos dj clent has long been revered as one of the founding figures of the city s unique juke and footwork scene. having released some of the genres earliest examples of the sound hes rightfully respected as a dj and producer in the game. 100% ghetto we 2 ghetto 4 ya! was originally released in 1998 on the legendary dance mania label and has been long sought after by fans of juke, footwork and the ghetto house sound and is quite a tough record to track down often commanding collectors prices in the used market. across 7 tracks covering various styles clent gives us his rough, ready and raw sound. uncompromising, heavy, frenetic and just plain jacking this ep still packs a serious punch! the sinister, brooding 3rd wurle still manages to sound foreboding and otherworldly, while straight up ghetto house staples let me hit it (from the back) and bang that rat still rock any soundsystem today! this is the first time 100% ghetto we 2 ghetto 4 ya! has ever been reissued in full, just as it was originally released in 1998, complete with original dance mania label artwork. 100% legit, reissued in conjunction with dance mania records, chicago il and parris mitchell. we bout it

ltd to 300 copies / vinyl only / mastering @ calix
long awaited return of the neapolitan imprint informale with the founders random / noize delivering a solid techno ep and hosting a great remix from the talented technoyzer ! -syncope, also known as fainting, is defined as a short loss of consciousness and muscle strength, characterized by a fast onset, short duration, and spontaneous recovery. it is due to a decrease in blood flow to the entire brain usually from low blood pressure. some causes have prodromal symptoms before the loss of consciousness occurs. in phonology, syncope (/&#712,,s&#618,,&#331,,k&#601,,pi&#720,,/, greek: syn- + koptein -to strike, cut off-) is the loss of one or more sounds from the interior of a word, especially the loss of an unstressed vowel. it is found both in synchronic analysis of languages and diachronics. its opposite, whereby sounds are added, is epenthesis-.
already supported by: kerstin eden, gez varley (lfo), plural, john massey, kill ref, richie hawtin, warind, formal method, m.r.e.u.x, klaudia selection sorted.hu, kata mercado, archivone, mirko (etichetta nera), gill (different grooves), jeff rushin, domenico crisci, gigi galli, pat coefficient, noemi black, dr. motte, logotech, imugem orihasam, gemma furbank, subsist rec 2, joseph capriati, paco osuna, dario caruson, slaker, xpansul, chris jones aka sejon, trunkline, future 16, terrae, l.a.w. dj, len faki, jerome baker, diarmaid o meara, maceo plex / maetrik, drumcell

nice price deal !!! on side a first we have the title track moonman - a heavy grooving soundship that rolls towards a wonderful arranged climax. round loops is a mental housetrack with nice oriental sounds. looks like bachner knows the secret of detroit music. the b side was made for the dancefloor. full of pressure and sportiness look for a spaceman is a stomper which tips over in a deep hole after the second break, played by len faki, andrew grant,...top de:bug review. mail out to over 200 opinion leaders (press, record stores, key djs).

meda fury welcome back oakland resident damon bell for another accomplished ep of rugged cosmic grooves and tribal pressure. bell is riding a rich wave of form with a killer recent release on don’t be afraid, and even more fire on the burek label, not forgetting his impressive debut last year on his regular home, the mighty deepblak - he’s a proven master at fusing afro-centric rhythms, rich keys and off-kilter pads into an urgent and contemporary form of house music that deftly eschews cliche. ‘akebu-lan’ commences the ritual with a gospel vocal loop over pumping 808 kicks and tranced out swollen pads, giving way to ecstatic fender rhodes chords and climatic piano, reminiscent of robert hood - is this bell s fastest bpm track yet? loose/live jazz keys riff throughout ‘ether’ creating a warm rich miasma of sound against the distressed percussive gyrations and sinister drones. hypnotic synth riffs tumble over the powerful drum-track in ‘altered visions’ creating a deliciously hypnotic chug. drawing the ep to a close, deepblak and pan cohort african sciences joins bell for the sizzling ‘kinetic energy’, a sleazy, skronking cut of slurred moog bass and atonally pitched toms wrestling with thumping kicks and whispered vox pummel the listener

dj plant texture & gnork aka dj shark team up for this split 12 on uttu.. rough break-beat-houz & jungle pressure for the headz!!

octave one announce new album love by machine a year after their impressive last album burn it down, detroit techno legends octave one are back with a nine track double ep that again shows they are masters of big hypnotic grooves. entitled love by machine, the albums name is a nod to the fact that the burden brothers are such revered masters of their hardware. both in the studio, where they cook up atmospheric house and techno with soaring synths and vocals and also in the live arena, where they are celebrated as one of the most accomplished and forward thinking performers in the game today. that is all the more impressive when you bear in mind they have been active since the 80s, most often releasing on their own 430 west label, which is where they appear again here. say lenny: weve been exploring the theme of connection with this project. how technology gives us the illusion that we are closer to each other more than ever. at some point humanity crossed a line where the devices that we created to bring us together are the same devices that are blocking us from organic experiences.

certain sounds inspire us, certain sounds move us, and certain sounds simply propel us deeply and immediately into a place where everything else becomes irrelevant. the latter is the vein of sonic manipulation that can be found on “what one sees”, sta an linzatti’s latest workout for chronicle. a prelude to a forthcoming album, linzatti has once again shown his incredibly ability to morph time and space to his liking. from the pressure cooking low end in * brink of collapse* to the dissonant twilight zone antics of * just a thought*, sta an works his way through inner space nding the perfect balance of tension and release, discord and resolve. the resolve comes during moments like * nobody observes the ordinary* and * passing ceres*, which harmonize subtle yet intricate patterns with chimerical synthwork. its a vast feat, and a warning bell for the incoming musical architecture that we are so grateful to share with you.

limited rsd 2016 picture vinyl release.

nervous horizon co-head tsvi follows up 2015 debut ep, ‘set you free’, with powerful new record, ‘sacred drums’ — a 12” that delves even deeper into the raw, no-frills potential emanating from the nh camp right now. already sought after for his fierce and complex club material, ‘sacred drums’ sees tsvi up his game even further across four heavyset new solo productions, as well as bringing in nh crew members, luru and dj jm, to collaborate on two digital exclusives. opener, ‘the healer,’ is an immediate case in point, a dark, rasping drum workout that’ll function both in or away from the club, while ep tracks ‘darabukka’, ‘parade’ and ‘assam’s children’, although punctuated by deft sample touches and flashes of melody, deliver the sort of power-drum, club pressure that tsvi has made his firmly his own

this hook burns in your head, classic organ anthem im repress !!!
from the vaults! 1992 kms records pressure straight from detroit, still capable of causing much damage on dance-floors in 2016! this 4 track monster pulls together a pretty heavy cast of detroit techno and deep house royalty in the shape of chez damier, mk and derrick may all contributing various mixes and versions across the ep. if deep, driving, soul drenched house is your bag you will be in heaven with -can you feel it-, a truly classic slice of sophisticated dance music indeed. all of the mixes are killers, but it s the -mk dub- mix, also known as the -new york dub- that really steals the show, here mk and may combine to craft a classy, slamming, emotive string driven jam that pushes all the right buttons. as usual, essential retrospective action here from one of the most legendary dance labels out of detroit. all tracks remastered and fully licensed with the sole permission of mr. kevin saunderson. 100% legit and not ready to quit!

opilec music is proud to bring you the first ever remix album of san francisco s cult synthesizer-punk legends, the units! one of america s first synthesizer bands and pioneers of a genre now known as synthpunk, the units were notable for their use of synthesizers in place of guitars, and multimedia performances featuring multiple projections of satirical, instructional films critical of conformity and consumerism... predating mtv and 25 years before the birth of youtube! this is a definitive collection of over 24 of the band s original songs written between 1977 and 1984 and remixed for the dance floor in 2010 by a renowned and international cast of over 40 djs, producers and bands active in the contemporary club scene. this project celebrates the futuristic units along with the innovative djs that first played them.

like the proverbial bus, you wait five years for a cottam release and two turn up within 6 months. ‘consciousness’ on the a re-works the soundtrack to a classic japanese film into a devastating club track, ghostly vocals combine with dub effects and acid riffs for an unnerving slice of headfunk. on the flip ‘rivers of blood’ starts with a deep bassline and keeps on cranking up and piling on the pressure, until the synths wash in after four minutes and the track becomes a tempestuous torrent of detroitian hi-tech jazz

fragil musique reaches the 20th release mark, and offers us a very special debut ep from a newcomer to watch. vidock lands on the label with an unusual three tracker, oscillating between intense breakbeat excursions and moody techno hybrids. -dub attack- is the main club weapon here. cycling around the drum loop, pads and samples build up to heavy tension moments, then fade away to fully unleash the force of the stripped down broken kick-bass groove. the pressure is strong and never stops rising, gradually bringing the dancer to a manic arms-shaking state, while sporadic laser synth shots and percussion hints sprinkle the track, smartly shaping its three-dimensional aspect. on the b side, dance music ufo - metamorph - is an epic journey through what feels like unexplored fringes of sample driven emotional dance music. movie-esque haunting voices and disturbing sirens set the vibe, inviting one to drift along this dark and coloured ride. fellow nantes native simo cell goes trippy on the remix, taking apart the most heady bits of the original and extending them into a deep and breaky piece.

hailing from bucharest, romania the vinyl speed adjust duo have been rapidly on the rise as producers and djs over the past few years with a back catalogue boasting material on pressure traxx, gilesku records, colours in music and visionquest where they return to here, as well accolades from leading industry names such as ricardo villalobos, raresh and rhadoo. here we see the pair back on fine form for visionquest following their carpe diem ep on the label in 2015 and taking the lead is title track retro which sees things taken down a percussive led path via modulating pot drums, murky bass flutters and screeching atmospherics. det riot follows and ups the energy levels with robust rhythms and stuttering vocal chops running with subtly unfolding arps, and further howling expansive swells hidden in the depths of the record before stretch souls rounds things off, closing with tumbling organic percussion, soft pad sweeps and a rumbling low end drive.

deep driving tracks on this stunning debut 12- distances on electronic emergencies. the five tracks by the french-born artist, now based in portland, usa, stand out for their crystal-clear production, trancey basslines, hypnotic rhythms and complex, dramatic melodies - reminiscent of synthesizer gods from the seventies like klaus schulze, combined with the orb-like feel of the nineties, launched into the future.

the standart edition to the rsd version, great ten song dub lp!

a perfect blended mixture of real instrument playing and sampling, uffe concocts a delicious menu across the entire ep.
clearly a product of many influences, uffe demonstrates his full range of artistry with vocalized tracks on the a side by himself and dub analog studio pressure on the b side.

path records, old school brooklyn based leaders in underground psychedelic techno, keep up the twelve inch pressure with a brand new ep from their label-head reade truth. picking up where his recent n-syde records left off (“stares to upstairs”, “blessings of luh”), the 3 track ep abounds in sci-fi techno themes while taking root in a somewhat housier rhythmic structure. the ep begins with the dark, mysterious “omm 0910” where whispered female dialogue and a powerful bassline are combined with cut up efx, trickling liquid soundscapes and solid 909 programming.
* a bump of house* develops around a hypnotic bass line and intricate deep synths and strings, similar to earlier path releases. “drop and see” dives the tempo to 110 bpms and is a mechanical industrial/synth styled number with a clever, hypnotic progression. overall, this ep offers another vital and varied selection of tracks from truth, who is known for providing refreshing and unique ideas throughout his career, including seminal releases on labels like planet e, sonic groove and strictly rhythm. limited to 350 copies, first 200 include a 12×12 graphic insert.

neville watson’s debut on riverette! big! 3 tracker full of bangin techno! take cover!

jonny nash remix! not an animal keeps up the pace and pressure with yet another high quality distinctive release, further cementing the labels specific sound and revealing more of the scope of its musical mission. machete savane are compromised of label co owner andy bainbridge and producer/composer saul richards. manticore continues with their instantly recognisable hi octane yet organic discofied sound, as previously displayed via their releases on cynic and redux. remix wise, there s a very much night and day choice to be had here, with johnny nash (land of light) providing his trademark blissed-out ambience to a beatless rendition and ian blevins taking the original even further into dancefloor territory, upping the tempos and evoking the drive of paperclip people.

after countless singles, lps and performances played around the world, james donadio is back with his first full length effort since 2014s petit cochon. ghost detergent is a consummate amalgam of fried gear, chunky bass and fractured samples. donadio s extraordinary ability to fuse his wide range of influences into a collection of lucidly executed and concise jams has reached it s paragon.

donato dozzy and neel s spazio disponibile keeps up the pressure here with a fine fourth ep of 2016, this time from mike parker. the label - which also has a party of the same name in rome attached to it - deals in heady techno, so the geophone label owner and new york artist parker is a perfect fit with his always deep offerings.

max 1 per customer / max 1 pro kunde
mark flexes the serious house muscles on these tunes. two sides of massive dj-ready club killers! classic chords, tough basslines, hype sax riffs, swangin’ drums, strong vocals, multiple mixes (including a saxapella!)

first release of the new label from andrade & sakro, bon vivant! vinyl only.

desolat label boss loco dice is back with what is sure to be a massive autumn package: he has remixed the seminal dance track ‘go’ by the legendary moby, twice, and has made it all his own in the process. moby needs little introduction: the american dance producer and live performer’s albums are classics of the genre that are celebrated far and wide. they have been used on thousands of adverts, have given rise to hit singles all over the world and have made him one of the most celebrated electronic music stars of our time. his ‘go’ track was what started it all for him back in the 90’s, and was a bona fide club classic of the day. it still resonates today and always gets crowds going. now it has been remixed twice by loco dice, who has added his own stamp to it in distinctive fashion. his first excellent version is eight minutes of chunky and tribal drums, with rubber kicks, clipped horn stabs and big hits all building the pressure. those most famous vocal cries really finish it off in style, and ensure that dance floors will go wild whenever it is dropped, as do wonky synths and big piano chords at the breakdown. the second version is more emotive, with big sweeping strings smeared in the background to help make it all the more dramatic, teary eyed and impactful on the floor. this one is for the peak time in any set and is sure to make the most memorable moment of any night. both remixes here pack a real punch, and whilst remaining true to the original, they both sound just like you would expect from modern dance heavyweight loco dice.

nice price deal !!!

nice price deal !!! 2 tracker with alland’s version on one side and tres manos’ version on the other. this release offers a sound that is 100 percent american, with the originality of alland’s, always techy, gastric bass and the hard-hitting pressure of tres manos’ version, that is sure to leave more than a few people surprised with this dark sided rendition that is reminiscent of some ur classics

4 track hand-stamped white label 12” ep by best available technology, released on the working nights label. stamp by skull disco’s zeke clough. 200 copies only.

fresh jungle drum and bass

ishmael follows up his 2014 debut ep, wolfep026 with his latest offering on wolf. fans of his recent album, sometime in space will not be disappointed. the ep also features soulphiction on remix duties, injecting doldrums with some extra dancefloor pressure.

the seven ep is coming from none other than electric indigo, who is pushing things forward in the electronic music scene since the early ninetees. she also hosts the network „female pressure“, which tries to make female artists more visible and therefore holds a data base with information about many of them.

in the short time since his debut, chairman kato has developed his own sound, as unique and offbeat as his personal reputation. launching his live show in 2011, as well as his own art exhibitions, chairman kato has staked his territory as one of the most keenly watched producers in london, now stepping on to the international stage at the top of the underground. its with great excitement then that we share this release on awkward movements. science & romance consists of four original tracks, influenced from all aspects of chairman katos life, as immediately heavy as they are emotionally layered.

the berlin-based producer is kicking off his label with a four-track single. while he is perhaps not as name-checked as some of the hardware hawking house heads of modern times, arttu snellman has been working hard at gritty box jams for a good few years now. he first appeared under his arttu guise in 2011 with the nuclear funk and fear diluted singles on royal oak and philpot respectively, and then proceeded to wheel out tunes for 4 lux and chiwax over the ensuing years. prior to the tough-edged pump of his current ventures, you could find snellman indulging in a more laptop-centric kind of practice under the name lump. this more minimalistic, glitchy house fodder could be found on labels such as karloff, morris/audio and süd electronic amongst many others. back in the here and now though, arttu was last spotted on clone jack for daze earlier this year with the rave dogz 12”, and next up he’s taking matters into his own hands. existing fans of arttu will be more than pleased with the heavyweight, crunchy tackle that inhabits cyblo01. this is dynamic business with same heft found on previous releases from snellman, mixed in with the cheeky flair that has always marked his productions out in a crowded marketplace.